As he travels through Palestinian towns, Tuvia learns that funding for the beautiful homes and Arab cultural centers comes from the European Union (EU), especially Germany. He visits Gerald Steinberg of the NGO Monitor research institute. Of 150 international NGOs operating in Israel, 50 are funded by Germany or German foundations, and all of them are pro-Palestinian. Tuvia wonders why these young Europeans are so dedicated to protecting the Palestinians from Israeli oppression.
Tuvia finds his answer as he follows a group of Italian youths touring the Yad Vashem Holocaust museum, led by an Israeli named Itamar, “a proud ex-Jew.” The educational trip has been arranged by an Italian institution in Milano and paid for by the EU. Tuvia wonders what these Europeans will think about the “Dead Jews’ Museum.” But Itamar the educator does his best to turn the World War II story into a contemporary one, by making comparisons between then and now—that is, between yesterday’s Nazis and today’s Israelis.
Thanks to their guide, at each exhibit, the Italians see the dead Jews of the camps but hear the name “Palestine.” They watch a film of Nazi officers but hear the name Israel. As Tenenbom puts it, the Europeans are “using Yad Vashem, the monument for millions of Jews slaughtered at their hands, as a platform for poisonous propaganda against the survivors of their butchery.”
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