The European origins of the 'New York Times' antisemitic cartoon

Via Jerusalem Post:

The antisemitic cartoon that ran in the New York Times International Edition was not printed by accident. It comes in the context of historic antisemitism that is common across Western Europe and is part of more than a thousand years of anti-Jewish stereotypes and caricatures. The cartoon originally was drawn by a cartoonist who is known for his work at a Portuguese media outlet. Cartoons similar to this that have appeared in European newspapers have not led to the kind of controversy that the New York Times cartoon has.

In 2016, author Mario Vargas llosa wrote an article condemning Israel in Spain's El Pais daily. The illustrative photo showed a man dressed in a black hat of the kind worn by religious Jews, wearing a blindfold, as if he was “blind” to the suffering of Palestinians. Anti-Jewish caricatures and tropes, conflating Israel with all Jews and using images of religious Jews whenever Israel is condemned, or Jewish symbols such as the Star of David, are too often the norm in European cartoons and illustrations. Unlike with the New York Times controversy where these images, caricatures and tropes were at least questioned, they appear consistently across Europe and rarely lead to the kind of controversy that the Times cartoon has elicited.

For instance, the cartoonist behind the Times cartoon appears on a website called ‘Cartooning for Peace.’ One of the other cartoons from 2006 depicted on the website shows a foot with an American flag for pants and a Star of David as spurs. The Star of David is dripping blood. Why is it dripping blood? Why is the US depicted wearing spurs of a Jewish symbol? Next to the Star of David is another leg with an Islamic crescent. The cartoon’s symbolism appears to imply: The Jews are the US weapon against Islam.

Similarly, the current cartoon depicts a dog with a Jewish Star of David, leading the US blindly, with its president wearing a yarmulke. From the 1930s until today, very little has changed in aspects of antisemitic imagery - only that Israel is sometimes the stand-in for “the Jews,” with the same use of Jewish symbols or traditional clothing.

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